Archive for November 13th, 2012
Or, “Why the Incredible Hulk doesn’t translate as well to the big screen.”
The other night I landed on a cable channel that was broadcasting the most recent (Edward Norton) Hulk movie. I was reminded of how, while it was better received than the Ang Lee version, it still didn’t really hit the sweet spot with audiences like certain other superhero movies. Which is sad, actually, because I think it’s actually a good film. And I was wondering why it didn’t connect, and I came up with a few possibilities.
Jekyll & Hyde isn’t sexy. Obvious enough, right? What, you don’t quite get the logic? Try this: the central character conflict is Bruce Banner walking the razor’s edge between staying human and going Hulk Smash. Audiences want the Hulk Smash moments, but they may not like the downtime between them.
Bruce Banner is neither an Everyman nor an extreme outlier. Batman, Superman and Iron Man are extreme outliers – inexplicably rich, intelligent, or (as with Superman) alien. Spiderman is a type of Everyman. All of them maintain their innate characteristics, all of the time. Except when Hulk Smash. Where Banner is intelligent, Hulk is the antithesis. See previous point. The point here is that Peter Parker gets his powers by pure lab accident. Bruce Wayne and Tony Stark inherit/build their wealth in order to develop their crime fighting toys. Superman is a boy scout. Banner (depending on which origin you follow) self-exposes himself to the radiation that creates the Hulk.
Hulk worked as a TV series because it effectively played on the “running” aspect, of Banner being chased as he tried to figure out how to reverse the effects. The Noton movie did it okay, but most people don’t enjoy the idea of their “hero” giving up their powers.
Did I mention that Jekyll & Hyde isn’t very sexy?
So, what are your thoughts, if you’re into the Hulk story, why it fails to translate as well to the big screen?
I’ve mentioned Chuck Wendig here before. While he may not be as much of a household name as, say, Steven King, he does a lot of what many rappers claim they are doing: spitting the truth. Writing is hard, it’s a skill and ability that requires investing time and energy to improve. There is a secret, though, to this writing thing. This secret is a general, ephemeral thing, something that can safely be applied to all writers of all genres anywhere in the world.
Right, that’s it. I’ve clipped a different image before, but this one is newer and shiny-er. And mentions a converence.
But about the “rule.” The graphic above is from a recent post (just click the image for the link) where Wendig provides another of his “List of 25” – this time of Motivational Thoughts for Writers. Since we are now in the thick of National Novel Writing Month (NaNoWriMo) this seems like a good thing to share for those that are participating.
To encourage you to slip down the rabbit hole, I offer you this snippet from his list – something that I have struggled with for years.
5. Abuse the Freedom to Suck
Writing is not about perfection — that’s editing you’re thinking of. Editing is about arrangement, elegance, cutting down instead of building up. Editing is Jenga. Writing is about putting all the pieces out there. It’s construction in the strangest, sloppiest form. It’s inelegant. And imperfect. And insane. It’s supposed to be this way. Writing is a first-time bike-ride. You’re meant to wobble and accidentally drive into some rose bushes. Allow yourself the freedom — nay, the pleasure — to suck. This is playtime. (Or, as I call it: “Whiskey and Hookers” time.) Playtime is supposed to be messy.